Recording Channel The MEC-1A encompasses the all tube based designs of the MP 1A Microphone Preamplifier, EQ 1A Equalizer and ...
independent compressor and limiter per channel. The unit is all tube based (except for the power supply and side chain circuit...
features three independent optical stereo compressors. The signal is divided into three bands (Low, Mid & High) by 6 dB/octave...
independent optical compressors. The optical gain reduction element is placed after the input transformer and then followed by...
Der Tube-Tech MP2A Zweikanal-Mikrofon R?hrenvorverst?rker ist eine neue, verbesserte Version des TUBE-TECH MP1A Models mit neu...
1-Channel Tube Compressor/Limiter The Tube-Tech CL-1B Compressor features a gain-reduction element, positioned immediately aft...
The TUBE-TECH CM 1A Compressor is an optical, all tube based compressor targeted at single-track recordings: It is equally sui...
The Tube-Tech PE-1C Program Equalizer contains a low frequency boost and attenuation section (shelving), and a high frequency ...
low frequency boost section for peaking, a mid frequency attenuation for dipping as well as a high frequency boost section for...
TUBE-TECH pr?sentiert eine ganz neue Art Equalizer: Beim HLT 2A handelt es sich um einen ...
unit, featuring low & high cut, low & high shelving and three overlapping bands. The cut filters are designed around unity gai...
The TUBE-TECH RM 8 tabletop frame is designed for use where space is an issue, such as home studios, Pa systems, OB vans etc.,...
