features three independent optical stereo compressors. The signal is divided into three bands (Low, Mid & High) by 6 dB/octave...
The TUBE-TECH RM 8 tabletop frame is designed for use where space is an issue, such as home studios, Pa systems, OB vans etc.,...
The RM2 is a new 2 slot frame and internal power supply designed to support any two of the new TUBE-TECH miniature “RM Series”...
The Tube-Tech PE-1C Program Equalizer contains a low frequency boost and attenuation section (shelving), and a high frequency ...
Preamplifier and Direct Instrument amplifier for microphones or instruments. The microphone inputs and outputs are balanced as...
Der Tube-Tech MP2A Zweikanal-Mikrofon R?hrenvorverst?rker ist eine neue, verbesserte Version des TUBE-TECH MP1A Models mit neu...
The MMC 1A is our latest recording channel – encompassing a complete front-end it includes an additional Direct Instrument inp...
Recording Channel The MEC-1A encompasses the all tube based designs of the MP 1A Microphone Preamplifier, EQ 1A Equalizer and ...
low frequency boost section for peaking, a mid frequency attenuation for dipping as well as a high frequency boost section for...
independent compressor and limiter per channel. The unit is all tube based (except for the power supply and side chain circuit...
TUBE-TECH pr?sentiert eine ganz neue Art Equalizer: Beim HLT 2A handelt es sich um einen ...
unit, featuring low & high cut, low & high shelving and three overlapping bands. The cut filters are designed around unity gai...
